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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Examination at 90s Rave Culture

Produced by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film releases in UK and Irish cinemas from November 17.

About the author

Jeanette Goodman

A UK-based cultural commentator with a passion for analyzing societal shifts and emerging trends in fashion and lifestyle.

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